Novation MiniNova vs Korg MICROKorgS
We compare the Novation MiniNova and the Korg MICROKorgS across every dimension that matters - our scores, the key specs, and how each performs on the things you will actually notice day to day.
At a glance
| Novation MiniNova | Korg MICROKorgS | |
|---|---|---|
| Our score | 6.9/10 | 6.5/10 |
| Best for | Hands-on sound design and making basslines, leads and pads, standalone | Hands-on sound design and making basslines, leads and pads, standalone |
| Not ideal for | Anyone wanting a workstation, a stage piano, or a software-only setup | Anyone wanting a workstation, a stage piano, or a software-only setup |
| Brand | Novation | Korg |
Sound and Synthesis
Novation MiniNova
The MiniNova's sound is generated through its analogue modelling approach, delivering a compact synthesiser aimed at producing a broad range of usable tones. It offers 256 onboard sounds, allowing new users to start from ready-made patches while exploring synthesis. Each voice can apply five effects per voice layering, shaping timbre without external processors. The pitch-correcting effect vocoder adds a controlled, vocal-like character, making it suitable for pads and robotic textures. Layering and effects can quickly become complex if parameters are not managed, so the synthesis focus prioritises practical sound design over deep, hands-on hardware-style patching.
Korg MICROKorgS
With an analogue modelling approach, this synthesizer uses a 37-key keyboard as its main control surface. The vocoder is designed for voice-like processing, adding a robotic or harmonised texture. The synth section centres on tonal building, starting from basic waveforms and then shaping sound through filters and modulation. The instrument also supports blending steady analog-style tones with vocoder effects, where a vocal sample or mic input can drive pitch and formant changes. The key strength is the clear separation between normal synthesis and voice processing. Limitations are not fully specified, and the exact synthesis methods are not detailed.
Playability and Controls
Novation MiniNova
Playability and controls focus on how quickly the synthesizer can be used for sound creation and performance, especially since it is a compact 37 mini-key analogue modelling synthesiser. It is designed for immediate hands-on playing, and the small keybed suits tight spaces, though it may feel less responsive than full-size keys for some players. Controls support fast selection of the 256 onboard sounds, while five effects per voice layering help expand timbral options without leaving the instrument. The performance-friendly layout supports quicker tone shaping.
Korg MICROKorgS
Playability on the Korg is centred on its 37-key keyboard, which offers direct finger access to melodic lines, held chords and sound changes. The control layout is designed for live use, with sound parameters adjustable during performance without relying on deep menu navigation. The compact key count suits short runs and two-handed chord shapes, while it restricts extended-range playing. Because the unit is vocoder-equipped, timing affects pitch capture, so changing settings mid-phrase can be disruptive. Overall, the panel supports quick experimentation, but some players may need time to develop consistent parameter movement.
Connectivity and Sequencing
Novation MiniNova
The synth is designed for hands-on workflow and can be used with external gear for sequencing and recording. For sequencing, its onboard options focus on creating patterns and then layering sounds, with five effects per voice shaping the result before committing. Integration with external sequencing and recording therefore cannot be described beyond this general workflow.
Korg MICROKorgS
Connectivity and sequencing on the synthesizer focuses on how it can sit within an existing setup, with particular attention on live routing and straightforward pattern building. Its key control is designed for fast note entry. For live routing, the MICROKorgS can be used as a simple controller source within an existing audio chain, assuming the relevant inputs are available, although specific connection types are not detailed. In sequencing practice, parts are typically built by repeating short played passages and then adjusting them while listening, with the exact connection approach left unspecified.
Form Factor and Build
Novation MiniNova
Form factor and build shape how the Novation fits into a working setup, especially when it sits alongside other instruments for sequencing, recording and sound shaping. It is a compact mini-key analog modelling synthesizer, built for desk use or travel, without dominating the workspace. The short keybed supports quick melodies, and the built-in controls make it practical to adjust sounds during takes. In layered sessions, its compact footprint helps keep cable routing manageable, although the screen space and panel detail can feel limited from a distance. Setup is straightforward: place the unit near the sequencer, then route audio through the monitoring chain with levels set carefully.
Korg MICROKorgS
The MICROKorgS has a compact form factor centred on a 37-key keyboard layout, which makes it easier to fit into a desk space or a smaller live setup than full-size keyboards. The smaller key count supports quick practice sessions, while the enclosure is designed for everyday handling, keeping the controls within reach when seated or standing. Its compact size also places less space around the front panel, so hands-on adjustments can be more constrained when other gear sits nearby.
Who Is This Synthesizer For?
Novation MiniNova
The synthesizer is aimed at people who want a compact, mini-key synthesizer capable of creating a wide range of sounds without needing a large studio setup. It is suitable for beginners looking for quick experimentation, with 256 onboard sounds and five effects per voice layering. It also fits intermediate players who want to build patches, thanks to its analogue modelling design and a vocoder with a pitch-correcting effect that supports vocals and character sounds. Buyers with a strong need for a fully specified analogue signal path and those expecting studio-sized controls may find it limiting.
Korg MICROKorgS
For musicians who want a compact analog modelling synthesizer with a small footprint, the Korg is a practical option, with a 37-key keyboard and a built-in vocoder. It suits players who prefer direct, hands-on note input, since the smaller keybed still supports basic melodies and chords. Producers looking for an integrated voice-processing feature may find the built-in vocoder useful for adding voice effects without additional outboard gear. Limited options are more likely for anyone specifically needing a full-size keyboard feel or broader hands-on synthesis control.
Novation MiniNova: pros
- Analog synthesis
- Hands-on, standalone sound design - no computer needed
Cons
- A learning curve to master deeper sound design
- Focused synth, not a do-it-all workstation
- It's a synth for sound design, not a stage piano or arranger
Korg MICROKorgS: pros
- Analog synthesis
- Hands-on, standalone sound design - no computer needed
Cons
- A learning curve to master deeper sound design
- Focused synth, not a do-it-all workstation
- It's a synth for sound design, not a stage piano or arranger
Our verdict
Our pick is the Novation MiniNova (our score 6.9/10) - A characterful synthesizer (analog) for hands-on synthesis. The Korg MICROKorgS is still worth it if it is cheaper when you check, or if it better matches your specific needs.